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In-House Service
From flat and 3D embroidery to appliqué, bow & flower accessories and garment destroy & repair — up to 450,000 pieces a month, all under one roof.
Capabilities
Decorative detailing that lifts a garment — precise, repeatable, production-ready.
Machinery
Multiple synchronized heads embroider many pieces at once — consistent stitch quality at volume.
At a glance
Questions
Yes, our facility is equipped with automated and manual slitting machinery to provide Straight-Cut, Bias-Cut, and Continuous (Tubular) roll slitting for binding and piping applications.
All embroidered items pass through our Hashima needle detection machinery prior to final packing to ensure zero metal contamination.
We utilize certified high-quality Polyester and Rayon threads from trusted global suppliers.
Usually, but not always — thread has a minimum practical detail size, and fine lines, small text and tight gradients behave differently once stitched than they do as vector art. Send your artwork with the enquiry and we will tell you what will translate cleanly and what is worth simplifying, before sampling rather than after.
3D builds the design up off the surface, so it reads strongly from a distance and suits logos on caps and outerwear. Flat embroidery holds finer detail and sits closer to the cloth, which is usually the better choice for smaller marks and detailed artwork. If you are unsure, the artwork itself normally decides it.
Flat and 3D embroidery, appliqué, bow and flower accessories, and garment destroy and repair.
Dense stitching stiffens the area it covers and can pucker a lightweight fabric if the backing is wrong. On thin or stretch fabrics this matters, and it is a reason to sample rather than to approve from a screen. Placement is worth thinking about too — a heavy chest logo sits differently on a knit than on a woven shirt.
Up to 350,000 pieces, on multi-head embroidery lines.
No. Embroidery runs on the same site as garment production, so decorated pieces move straight back into the production flow instead of travelling to a third party and back.
Yes — it runs on the same site as garment production in Cimahi, West Java, so decorated pieces move straight back into the production flow instead of travelling to a third party.
Yes. Embroidery is quoted and scheduled with the garment order, so there is one programme and one party accountable for the finished piece.
It is the controlled distressing behind worn-in and vintage looks — the damage is deliberate, placed and repeatable rather than incidental. Like any wash or finish effect, it is best specified from a sample so everyone agrees on how far "distressed" goes.
Yes. Send your artwork with the order enquiry and we will come back to you on how it translates to embroidery — some detail behaves differently in thread than it does on screen, and it is better to resolve that before sampling.
Quoted per programme. It depends on the technique, the stitch count and the volume, so tell us what you need and we will give you specifics rather than a range.